The 17th century mosque in Keezhakarai is the finest example of Dravidian-Muslim architecture.
Yaadhum
, a documentary film, tracing the history and identity of the Tamil
Muslim community, has won the Bronze Remi award at the
48{+t}{+h}WorldFest-Houston – the third longest running International
Film Festival in North America.
“The film is a Tamil
Muslim’s journey in search of his roots and identity,” says Kombai S.
Anwar, the film-maker who won the award under the Cultural/Ethnic
category. There were participants from 33 countries and more than 550
international film-makers attended the festival. The film was also
screened at The Hindu Literary Festival.
Distorted history
Mr. Anwar said his objective was to set right the distorted history of Muslims constructed by Western historians.
“Contrary
to the popular perception that Islam made advances through violent
conquests, in Tamil Nadu the religion arrived with trade. The sculpture
found in the Tirukurungudi temple explains the maritime trade with the
Arabs,” he said.
Inspiration
Two
incidents — late writer Sujatha’s argument that thousands of
Vaishnavites were killed during the Muslim invasion and Anwar’s role in
helping the local community preserve the Kallupalli (the mosque made of
granites) — became the inspiration for the film.
“Muslims
in Tamil Nadu adapted themselves to the local cultures and combined the
elements of Dravidian architectures while constructing mosques,” he
said.
Dravidian
architecture
Even
though there are a lot of mosques built following the Dravidian
architecture, the 17{+t}{+h}century mosque in Keezhakarai constructed by
Seethakathi, known as Vallal Seethakathi, remains the finest example of
Dravidian-Muslim architecture.
The film covers
excavations, inscriptions, old mosques built in the architectural
traditions of Tamil Nadu and Kerala, literature and interviews with
well-known historians
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